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Dean Martin (born Dino Paul Crocetti; June 7, 1917 – December 25, 1995) was an American singer, actor, and comedian. Nicknamed the "King of Cool", he is regarded as one of the most popular entertainers of the 20th century. Martin gained his career breakthrough together with comedian Jerry Lewis, billed as Martin and Lewis, in 1946. They performed in nightclubs and later had numerous appearances on radio and television and in films.
Following an acrimonious ending of the partnership in 1956, Martin pursued a solo career as a performer and actor. He established himself as a singer, recording numerous contemporary songs as well as standards from the Great American Songbook. Martin became one of the most popular acts in Las Vegas and was known for his friendship with fellow artists Frank Sinatra and Sammy Davis Jr., who together with several others formed the Rat Pack.
Starting in 1965, Martin was the host of the television variety program The Dean Martin Show, which centered on Martin's singing and comedic talents and was characterized by his relaxed, easy-going demeanor. From 1974 to 1984, Martin was roastmaster on The Dean Martin Celebrity Roast, a popular show that drew celebrities, comedians and politicians. Throughout his career, Martin performed on concert stages, in nightclubs and audio recordings and appeared in 85 film and television productions and sold 12 million records in the United States alone, over 50 million worldwide. Martin's best-known songs include "Ain't That a Kick in the Head?", "Memories Are Made of This", "That's Amore", "Everybody Loves Somebody", "You're Nobody till Somebody Loves You", "Sway", and "Volare".
In October 1941, Martin married Elizabeth "Betty" Anne McDonald in Cleveland, and the couple had an apartment in Cleveland Heights for a while. They eventually had four children before divorcing in 1949.
They performed slapstick, reeled off old vaudeville jokes and did whatever else popped into their heads; the audience laughed. This success led to a series of well-paying engagements on the Eastern seaboard, culminating in a run at New York's Copacabana. The act consisted of Lewis interrupting and heckling Martin while he was trying to sing, with the two ultimately chasing each other around the stage. The secret, both said, is that they ignored the audience and played to each other. The team made its television debut on the first broadcast of CBS-TV network's The Ed Sullivan Show (then called The Toast Of The Town) on June 20, 1948, with composers Rodgers and Hammerstein also appearing. Hoping to improve their act, the two hired young comedy writers Norman Lear and Ed Simmons to write their bits. With the assistance of both Lear and Simmons, the two would take their act beyond nightclubs.
A radio series began in 1949, the year Martin and Lewis signed with Paramount producer Hal B. Wallis as comedy relief for the movie My Friend Irma. Their agent, Abby Greshler, negotiated one of Hollywood's best deals: although they received only $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions.
They also controlled their club, record, radio, and television appearances, and through these they earned millions of dollars. In Dean & Me, Lewis calls Martin one of the great comic geniuses of all time. They were friends, as well, with Lewis acting as best man when Martin remarried in 1949.
But harsh comments from critics, as well as frustration with the similarity of Martin and Lewis movies, which producer Hal Wallis refused to change, led to Martin's dissatisfaction. He put less enthusiasm into the work.
Martin soldiered on during the production of the Martin & Lewis feature 3 Ring Circus (1954), when a publicity photo of Martin, Lewis, and actress Sheree North was published on the cover of Look magazine. Martin was shocked to see Lewis and North pictured but Martin cropped off the page. The team's publicity manager, Jack Keller, remembered Martin walking on the set "with a copy of Look and he threw it right in my face and called me every vile name he could think of."Jack Keller to Richard Gehman, That Kid: The Story of Jerry Lewis, Avon, 1964. Lewis recalled Martin "saying he was fed up to the ears playing a stooge. One morning he arrived an hour late on the set and stared daggers at me. 'Anytime you wanta call it quits, just let me know.'"Jerry Lewis, Jerry Lewis in Person, Atheneum, 1982. Martin was chagrined by the situation: "Why the hell should I come in on time? There's not a damn thing for me to do."James L. Neibaur and Ted Okuda, The Jerry Lewis Films, McFarland, 1995, p. 95.
In later years Martin reflected on the working conditions during 3 Ring Circus: "There was no sense of me being in that picture at all. The picture was on 35 minutes before I sang one song. Then it was an old one, 'It's a Big, Wide Wonderful World', and I sang it to animals." The Jerry Lewis Films, p. 117.
Martin lived up to his contract and remained with Lewis until the agreement expired on July 25, 1956, 10 years to the day from the first teaming.
By the mid-1960s, Martin was a movie, recording, television, and nightclub star. He was known as Dude in Rio Bravo (1959), directed by Howard Hawks and also starring John Wayne and singer Ricky Nelson. Martin teamed again with Wayne in The Sons of Katie Elder (1965), cast as brothers. In 1960, Martin was cast in the film version of the Judy Holliday stage musical comedy Bells Are Ringing. He won a Golden Globe nomination for his performance in the 1960 film comedy Who Was That Lady?, but continued to seek dramatic roles, portraying a Southern politician in 1961's Ada, and starring in 1963's screen adaptation of an intense stage drama, Toys in the Attic, opposite Geraldine Page, as well as in 1970's drama Airport with Burt Lancaster, a huge box-office success.
Sinatra and Martin teamed up for several more movies, the crime caper Ocean's 11, the musical Robin and the 7 Hoods, and the Western comedies Sergeants 3 and 4 for Texas, with their Rat Pack pals such as Sammy Davis Jr., Peter Lawford, and Joey Bishop, as well as a romantic comedy, Marriage on the Rocks. Martin also co-starred with Shirley MacLaine in a number of films, including Some Came Running, Artists and Models, Career, All in a Night's Work, and What a Way to Go! He played a satiric variation of his own womanizing persona as Las Vegas singer "Dino" in Billy Wilder's comedy Kiss Me, Stupid (1964) with Kim Novak, and Martin poked fun at his image in films such as the Matt Helm spy parody of the 1960s, in which he was a co-producer. In the third Matt Helm film The Ambushers (1967), Helm, about to be executed, receives a last cigarette and tells the provider, "I'll remember you from the great beyond", continuing sotto voce, "somewhere around Steubenville, I hope".
As a singer, Martin copied the styles of Harry Mills (of the Mills Brothers), Bing Crosby, and Perry Como until he developed his own and could hold his own in duets with Sinatra and Crosby. Like Sinatra, Martin could not read music, but he recorded 35 studio albums and over 550 songs. His signature tune, "Everybody Loves Somebody", knocked the Beatles' "A Hard Day's Night" off number one in the United States in 1964." Pop-Standard Singles". Billboard. August 1, 1964. p. 43. Accessed September 21, 2016. This was followed by "The Door is Still Open to My Heart", Dean Martin - Chart History - The Hot 100, Billboard. Accessed September 18, 2016. which reached number six that year. Elvis Presley was said to have been a fan of Martin, and patterned his performance of "Love Me Tender" after Martin's style. Martin, like Elvis, was influenced by country music. By 1965, some of Martin's albums, such as Dean "Tex" Martin Rides Again, Houston, Welcome to My World, and Gentle on My Mind, were composed of country and western songs by artists such as Johnny Cash, Merle Haggard, and Buck Owens. Martin hosted country performers on his TV show and was named "Man Of the Year" by the Country Music Association in 1966. The final album of his recording career was 1983's The Nashville Sessions.
The image of Martin as a Vegas entertainer in a tuxedo has been an enduring one. "Ain't That a Kick in the Head?", a song Martin performed in Ocean's 11, did not become a hit at the time, but has enjoyed a revival in the media and pop culture and has been his most frequently played song in media for two decades. For three decades, Martin was among the most popular acts in Las Vegas, where he sang and was a comedian, benefiting from the decade of comedy with Lewis. Martin's daughter, Gail, also sang in Vegas and on many TV shows including his, co-hosting his summer replacement series on NBC. Daughter Deana Martin continues to perform, as did youngest son Ricci Martin until his death in August 2016. Eldest son Craig was a producer on Martin's television show and daughter Claudia was an actress in films such as For Those Who Think Young. Though thought of as promiscuous, Martin spent much time with his family; as second wife Jeanne put it, prior to the couple's divorce, "He was home every night for dinner."
The Rat Pack was legendary for its Las Vegas Strip performances. For example, the marquee at the Sands Hotel might read "DEAN MARTIN—MAYBE FRANK—MAYBE SAMMY". Their appearances were valuable because the city would flood with wealthy gamblers. Their act (always in tuxedo) consisted of each singing individual numbers, duets and trios, along with seemingly improvised slapstick and chatter. In the socially charged 1960s, their jokes revolved around adult themes, such as Sinatra's womanizing and Martin's drinking, as well as Davis's race and religion. Sinatra and Martin supported the civil rights movement and refused to perform in clubs that would not allow black American or Jewish performers. Posthumously, the Rat Pack has experienced a popular revival, inspiring the George Clooney/Brad Pitt Ocean's Trilogy.
Martin rebelled against the idea of hosting a weekly TV series but the NBC network was persistent. To put a stop to the pressure, Martin laid down a number of conditions that he was certain the network would refuse: he wanted an exorbitant amount of money; he would show up at the studio only on Sundays; he refused to rehearse during the week, leaving special-material creator Lee Hale to stand in for him and block the action with the celebrity guests; he agreed only to one dress rehearsal on Sunday afternoon before taping began at 7:00 p.m.; he declined to memorize any scripts, leaving the production staff to prepare cue cards for him to read during the taping; and he even reserved the right not to sing if he didn't feel like it.Lee Hale, Backstage at the Dean Martin Show, Taylor Publishing, 2000, p. 2. NBC consented to Martin's conditions. "They should have thrown them in my face, but they agreed to it all," said Martin. "So what the hell, I had to show up!"
The show exploited his image as a carefree boozer. Martin capitalized on his laid-back persona of the half-drunk crooner, inappropriately hitting on women, and making snappy if slurred remarks about fellow celebrities during his roasts. This relaxed behavior was an element of Martin's breezing through the taping; he knew that if he stumbled over a cue-card reading or was momentarily confused by something, he could simply stay in character, cover the mistake with an offhand remark, and move ahead. Colleague Lee Hale insisted that Martin was always professional and prepared. Les Brown's orchestral accompaniments were recorded on cassette tape, so Martin could familiarize himself with the tempos while driving to the studio.
During the first few shows Martin was mostly acting as the master of ceremonies of a variety show, in the manner of popular TV personality Ed Sullivan. "After four of five shows," recalled Hale, "the show was in trouble, and director Greg Garrison thought that involving Dean more might cure all ills."Hale, pp. 4-5. Martin responded with enthusiasm, and took part in the guest-star spots and the comedy sketches. The show reduced the number of variety acts, leaving more room for Martin.
The show's loose format featured quick-witted improvisation from Martin and his weekly guests. This prompted a battle between Martin and NBC censors, who insisted on more scrutiny of the content. He later had trouble with NBC for his off-the-cuff use of obscene Italian phrases, which brought complaints from viewers who spoke the language. The show was often in the top ten. Martin, in appreciation of the show's producer Greg Garrison, made a handshake deal giving Garrison, a pioneer TV producer in the 1950s, 50% of the show. However, the validity of that ownership is the subject of a lawsuit brought by NBCUniversal.
Despite Martin's reputation as a drinker—perpetuated via his Vanity plate "DRUNKY"—his alcohol use was quite . Martin was the first to call it a night and, when not on tour or on a film location, liked to go home to see his family. Martin borrowed the lovable-drunk shtick from Joe E. Lewis, but his convincing portrayals of heavy boozers in Some Came Running and Howard Hawks' Rio Bravo led to unsubstantiated claims of alcoholism. Martin starred in and co-produced four Matt Helm spy film comedy adventures during this time, as well as a number of Westerns. By the early 1970s, The Dean Martin Show was still earning solid ratings, and although he was no longer a Top 40 hitmaker, his record albums continued to sell. He found a way to make his passion for golf profitable by offering a signature line of golf balls, and the Dean Martin Tucson Open was an event on golf's PGA Tour from 1972 to 1975. At his death, Martin was reportedly the single largest minority shareholder of RCA stock.
Martin began reducing his schedule once comfortable financially. The final (1973–1974) season of his variety show was retooled into one of celebrity roasts, requiring less involvement. In the roasts, Martin and his panel of pals made fun of a variety of popular entertainment, athletic, and political figures. After the show's cancellation, NBC continued to air The Dean Martin Celebrity Roast as a series of TV specials through 1984.
In 1972, Martin filed for divorce from his second wife, Jeanne. A week later, his business partnership with the Riviera hotel in Las Vegas dissolved amid reports of the casino's refusal to agree to Martin's request to perform only once a night. Martin joined the MGM Grand Hotel and Casino, where he was the featured performer on the hotel's opening night of December 23, 1973, and Martin's contract required him to star in a film ( Mr. Ricco) for Metro-Goldwyn-Mayer studios.
Martin also made a public reconciliation with Lewis on his partner's Labor Day telethon, benefiting the Muscular Dystrophy Association, in September 1976. Sinatra shocked Lewis by bringing Martin out on stage and as the two men embraced, the audience gave them a standing ovation and the phones lit up, resulting in one of the telethon's most profitable years up to that time. Lewis later reported the event was one of the three most memorable of his life. Lewis quipped, "So, you working?" Martin, playing drunk, replied that he was appearing "at the 'Meggum (meaning the MGM Grand Hotel). This, with the death of Martin's son Dean Paul Martin more than a decade later, helped bring the two men together. They maintained a quiet friendship, but only performed again once, on Martin's 72nd birthday in 1989.
Martin returned to films briefly with appearances in the star-laden, critically panned but commercially successful The Cannonball Run and its sequel Cannonball Run II. He also had a minor hit single with "Since I Met You Baby" and made his first music video, which appeared on MTV and was created by Martin's youngest son, Ricci. On March 21, 1987, Martin's son, actor Dean Paul Martin (formerly Dino of the 1960s "teenybopper" rock group Dino, Desi & Billy), died when his F-4 Phantom II jet fighter crashed while flying with the California Air National Guard. Martin's grief over his son's death left him depressed and demoralized. Lewis stated in an on-stage interview in 2005 that subsequent to his son's death Martin became a reclusive alcoholic. Later, a tour with Davis and Sinatra in 1988, undertaken in part to help Martin recover, sputtered.
Martin then married Dorothy Jean "Jeanne" Biegger (March 27, 1927 – August 24, 2016), a former Orange Bowl queen from Coral Gables, Florida. Their marriage lasted 24 years (1949–1973) and produced three children:
Less than a month after his second marriage had dissolved, Martin, at 55, married 26-year-old Catherine Hawn on April 25, 1973. Hawn had been the receptionist at the chic Gene Shacove hair salon in Beverly Hills. They divorced on November 10, 1976. He was also briefly engaged to Gail Renshaw, Miss World–U.S. 1969. Eventually, Martin reconciled with Jeanne, though they never remarried.
Martin and Hawn had no biological children of their own, but Martin adopted Hawn's daughter, Sasha. After their divorce, Martin had a brief relationship with model and longtime friend Patricia Sheehan.
Martin's uncle was Leonard Barr, who appeared in several of his shows. In the 1960s and early 1970s Martin lived at 363 Copa De Oro Road in Bel Air, Los Angeles, before selling it to Tom Jones for $500,000 in June 1976.
Martin's son-in-law was the Beach Boys' Carl Wilson, who married Martin's daughter Gina. Figure skater Dorothy Hamill and actress Olivia Hussey were his daughters-in-law during their marriages to Martin's son, Dean Paul Martin. Craig, Martin's elder son, was married to Lou Costello's daughter Carole (1938–1987) until her death from a stroke at age 48.
Dean Martin bred at his Hidden Valley Ranch, Thousand Oaks, Ventura County, California.
Martin volunteered to perform fundraisers for the Bergson Group in the late 1940s.
Although a Republican, Martin supported Democratic candidate Lyndon B. Johnson in 1964.Jet, October 1, 1964
The Dean Martin Hometown Festival is held over a long weekend every June in Steubenville. Led by The Dean Martin Association since 2024, impersonators, friends and family, and entertainers, many of Italian ancestry, appear.
In 2005, Clark County, Nevada, renamed a portion of Industrial Road as Dean Martin Drive. A similarly named street was dedicated in 2008 in Rancho Mirage, California.
Martin's family was presented a gold record in 2004 for , his fastest-selling album, which also hit the iTunes Top 10, and in 2006 it was certified "Platinum".
There is a street named after Martin in San Antonio.
For the week ending December 23, 2006, the Dean Martin and Martina McBride duet of "Baby, It's Cold Outside" reached No. 7 on the R&R AC chart. It also went to No. 36 on the R&R Country chart – the last time Martin had a song this high in the charts was in 1965, with the song "I Will", which reached No. 10 on the Pop chart. An album of duets, Forever Cool, was released by Capitol/EMI in 2007. It features Martin's voice with Kevin Spacey, Shelby Lynne, Joss Stone, Big Bad Voodoo Daddy, Robbie Williams, McBride and others. His footprints were immortalized at Grauman's Chinese Theatre in 1964. Martin has three stars on the Hollywood Walk of Fame: one at 6519 Hollywood Boulevard for movies; the second at 1617 Vine for recordings; and a third at 6651 Hollywood Boulevard for television. In February 2009, Martin was honored with a posthumous Grammy Lifetime Achievement Award. Four of his surviving children, Gail, Deana, Ricci and Gina accepted it on his behalf. In 2010, Martin received a posthumous star on the Italian Walk of Fame in Toronto, Ontario, Canada.
The town of origin of Dean's father, Montesilvano, dedicated to him a square between via Sarca and via Torrente Piomba and a congress palace called Pala Dean Martin congress center in via Aldo Moro adjacent to the Porto Allegro structure (former cinema Warner).
Danny Gans portrayed Martin in the 1992 CBS miniseries Sinatra. Martin was portrayed by Joe Mantegna in the 1998 HBO movie about Sinatra and Martin titled The Rat Pack. Mantegna was nominated for both an Emmy Award and a Golden Globe Award for the role. British actor Jeremy Northam portrayed the entertainer in the 2002 made-for-TV movie Martin and Lewis, alongside Will & Grace Sean Hayes as Jerry Lewis.
Martin is the subject of Dean Martin's Wild Party and Dean Martin's Vegas Shindig, a pair of video slot machines found in many casinos. The games feature songs sung by Martin during the bonus feature and the count-up of a player's winnings. A compilation album called Amore! debuted at number one on Billboard magazine's Top Pop Catalog Albums chart in its February 21, 2009, issue.
In 1998, the MTV animated show Celebrity Deathmatch had a clay-animated fight to the death between Martin and comedian Jerry Lewis. Martin wins by whacking Jerry out of the ring. has been a successful tribute show, featuring Martin impersonators, on stage in Europe and North America since 2000. The popular Las Vegas show, "The Rat Pack is Back" has played The Copa Room at the Tuscany Suites Casino for several years. The walk-up song for Francisco Cervelli, a catcher for the Atlanta Braves, is the Dean Martin tune "That's Amore". In DePatie-Freleng's animated theatrical cartoon series The Ant and the Aardvark, the Ant's voice was performed by John Byner as an imitation of Martin.
Martin appears as Matt Helm in Quentin Tarantino's 2019 period piece Once Upon a Time in Hollywood. Sharon Tate (played by Margot Robbie) goes to a cinema to see The Wrecking Crew.
| 1946 | Film Vodvil: Art Mooney and Orchestra | Short | |
| 1949 | My Friend Irma | Steve Laird | Martin and Lewis |
| 1950 | My Friend Irma Goes West | ||
| At War with the Army | 1st Sgt. Vic Puccinelli | ||
| Screen Snapshots: Meet the Winners | Short | ||
| Screen Snapshots: Thirtieth Anniversary Special | |||
| 1951 | That's My Boy | Bill Baker | Martin and Lewis |
| 1952 | The Stooge | Bill Miller | |
| Sailor Beware | Al Crowthers | ||
| Jumping Jacks | Corp. Chick Allen | ||
| Road to Bali | Man in Lala's dream | Cameo, Uncredited | |
| 1953 | Scared Stiff | Larry Todd | Martin and Lewis |
| The Caddy | Joe Anthony | ||
| Money from Home | Herman 'Honey Talk' Nelson | ||
| 1954 | Living It Up | Dr. Steve Harris | |
| 3 Ring Circus | Peter 'Pete' Nelson | ||
| 1955 | You're Never Too Young | Bob Miles | |
| Artists and Models | Rick Todd | ||
| 1956 | Screen Snapshots: Hollywood, City of Stars | Short | |
| Pardners | Slim Mosely Jr. / Slim Mosely Sr. | Martin and Lewis | |
| Hollywood or Bust | Steve Wiley | ||
| 1957 | Ten Thousand Bedrooms | Ray Hunter | |
| 1958 | The Young Lions | Michael Whiteacre | |
| Some Came Running | Bama Dillert (professional gambler) | ||
| 1959 | Rio Bravo | Dude ('Borrachón') | |
| Career | Maurice 'Maury' Novak | ||
| 1960 | Who Was That Lady? | Michael Haney | Nominated—Golden Globe Award for Best Actor – Motion Picture Musical or Comedy |
| Bells Are Ringing | Jeffrey Moss | ||
| Ocean's 11 | Sam Harmon | ||
| Pepe | Dean Martin | Cameo | |
| 1961 | All in a Night's Work | Tony Ryder | |
| Ada | Bo Gillis | ||
| 1962 | Sergeants 3 | Sgt. Chip Deal | |
| The Road to Hong Kong | The 'Grape' on plutonium | Cameo, Uncredited | |
| Who's Got the Action? | Steve Flood | ||
| Something's Got to Give | Nicholas 'Nick' Arden | (unfinished) | |
| 1963 | 38-24-36 | Self | |
| Come Blow Your Horn | The Bum | Uncredited | |
| Toys in the Attic | Julian Berniers | ||
| 4 for Texas | Joe Jarrett | ||
| Who's Been Sleeping in My Bed? | Jason Steel | ||
| 1964 | What a Way to Go! | Leonard 'Lennie' Crawley | |
| Robin and the 7 Hoods | Little John | ||
| Kiss Me, Stupid | Dino | ||
| 1965 | The Sons of Katie Elder | Tom Elder | |
| Marriage on the Rocks | Ernie Brewer | ||
| 1966 | The Silencers | Matt Helm | |
| Birds Do It | Dean Martin | ||
| Texas Across the River | Sam Hollis | ||
| Murderers' Row | Matt Helm | ||
| 1967 | Rough Night in Jericho | Alex Flood | |
| The Ambushers | Matt Helm | ||
| 1968 | Rowan & Martin at the Movies | Short | |
| How to Save a Marriage and Ruin Your Life | David Sloane | ||
| Bandolero! | Dee Bishop | ||
| 5 Card Stud | Van Morgan | ||
| 1969 | The Wrecking Crew | Matt Helm | |
| 1970 | Airport | Capt. Vernon Demerest | |
| 1971 | Something Big | Joe Baker | |
| 1973 | Showdown | Billy Massey | |
| 1975 | Mr. Ricco | Joe Ricco | |
| 1981 | The Cannonball Run | Jamie Blake | |
| 1984 | Cannonball Run II | ||
| Terror in the Aisles | (archival footage) | ||
| 2019 | Once Upon a Time in Hollywood | Himself / Matt Helm | (archival footage from The Wrecking Crew) |
| 1950–1955 | The Colgate Comedy Hour | Himself | 28 episodes |
| 1953–1954 | The Jack Benny Program | Two episodes | |
| 1956 | Make Room for Daddy | Episode: "Terry Has a Date" | |
| 1957 | The Frank Sinatra Show | Episode 7, aired on November 29, 1957 | |
| 1958 | The Phil Silvers Show | Unnamed Las Vegas Gambler | Episode: "Bilko's Secret Mission" |
| The Danny Thomas Show | Himself | Episode: "Terry's Crush" | |
| 1959 | The Frank Sinatra Timex Show | Television special | |
| 1959–1960 | The Dean Martin Variety Show | Two episodes | |
| 1962 | The Judy Garland Show | Television special | |
| 1964 | Rawhide | Gurd Canliss | Episode: "Canliss" |
| 1965–1974 | The Dean Martin Show | Himself | 264 episodes Won – Golden Globe Award for Best TV Star – Male |
| 1966 | The Lucy Show | Episode: "Lucy Dates Dean Martin" | |
| 1967 | Movin' with Nancy | Nancy's Fairy Goduncle | Television special |
| 1970 | Swing Out, Sweet Land | Eli Whitney | |
| 1971 | The Powder Room | Host | Unsold pilot |
| 1973 | The Electric Company | Himself | Episode: "223" |
| 1974–1984 | The Dean Martin Celebrity Roast | 54 episodes | |
| 1975 | Lucy Gets Lucky | Television film | |
| Dean's Place | Television special | ||
| Dean Martin's Christmas in California | |||
| 1976 | Dean Martin's Red Hot Scandals of 1926 | 2-part television special | |
| 1977 | Dean Martin's Christmas in California | Television special | |
| 1978 | Charlie's Angels | Frank Howell | Episode: "Angels in Vegas" |
| Dean Martin's Christmas in California | Himself | Television special | |
| 1979 | The Misadventures of Sheriff Lobo | Episode: "Dean Martin and the Moonshiners" | |
| Vega$ | Episode: "The Usurper" | ||
| Dean Martin's Christmas in California | Television special | ||
| 1980 | The Dean Martin Christmas Special | ||
| 1981 | Dean Martin's Christmas at Seaworld | ||
| 1982 | Dean Martin at the Wild Animal Park | ||
| 1985 | Half Nelson | Six episodes |
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